The Journal · 1 November 2026
Your gallery is a partner, not a service
By Marques Hardin, artist manager · Paris & Rome
Galleries are small businesses, often run by a handful of people, with rising costs and fewer buyers than a few years ago. An artist who treats the gallery like a service ends up waiting for results. An artist who treats it like a partner brings tidy records, ready documents and their own contacts, so the gallery can spend its time selling.

Your gallery is probably smaller than you think
When Artlogic surveyed 305 gallery professionals in 2025, it sorted galleries into teams of one to three people and teams of four to ten. Among the small teams, 57% said costs were their biggest worry, and among the larger ones, 56% reported burnout (Artlogic Gallery Report 2025). Your gallery is not a department waiting for your next painting. It is a small business that is carrying you along with everyone else.
Be the artist they love to sell
- Send complete records for every work you hand over, with the title, year, size, material, price and good photos.
- Keep one price, the same as the gallery's, everywhere you sell.
- Keep your CV and statement up to date, so nobody has to chase you for them.
- Introduce your own collectors to the gallery, and agree in writing how those sales are shared.
- Share what you post on social media, and tag the gallery when you do.
Every hour your gallery does not spend on your paperwork is an hour it can spend selling your work. That is what a real partnership looks like day to day.
The gallery business is operating under pressure
- Dealers' total costs rose by around 5% in 2025, and 38% of dealers were less profitable than in 2024 (Artnet News, on the Art Basel and UBS report).
- For primary market galleries, payroll and rent each represented 21% of annual costs, while fairs absorbed roughly a third of spending (Artnet News).
- Dealers sold to an average of 57 unique buyers in 2025, the lowest level since 2021 (Art Basel and UBS, 2026).
- In Artlogic's 2025 survey, 56% of galleries with four to ten employees reported burnout, compared with 33% of those with one to three (Artlogic).
With small teams, high fixed costs and fewer buyers, every hour a gallery spends retyping an artist's inventory, chasing an image or reconciling a price is an hour taken away from a collector. Treating representation as a service the gallery owes the artist makes that arithmetic worse for both of them.
Putting the partnership in writing
- Write down the commission, what it covers, and which costs are shared and which are recharged; there is no standard level, which is exactly why it belongs in the agreement (Artquest).
- Keep one record of the artist's works that both sides can read, so the gallery sees what is available and the artist sees what sold and at what net.
- Agree one price everywhere, together with a written rule for increases.
- Set shared targets for each exhibition and fair, covering works to be sold and new collectors to be met.
- Let the artist contribute contacts and content while the gallery contributes the space, the network and the close.
- Write a short joint report after each show, so that both sides learn from it.
Why the gallery benefits
An artist who arrives with complete records and documents costs the gallery fewer hours for every work sold, and an artist who sees the same figures as the gallery has every reason to trust the split. That trust is what keeps an artist loyal when another gallery calls, and it is the reason Artelier Business puts the artist and the gallery on the same page.
When an artist and a gallery really work as partners, buying becomes simpler and friendlier for you.
- Expect the same price at the gallery and at the studio.
- Ask the gallery about the artist's other works, not only the ones on the wall.
- If you met the artist first, it is still fine to buy through the gallery, because good partners share the sale.
- Before you pay, ask who will give you the invoice and the certificate.
- Tell the gallery what you like to collect, since a small team will remember a clear request.
Frequently asked questions
No. Galleries are small businesses under cost pressure. A partnership, with tidy records, one price and shared goals, lets the gallery spend its time selling.